Installation – Page 3 – Art & Electronic Media

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Homecoming

[video src=http://vimeo.com/24660534 width:480]

Ted Victoria’s Homecoming (2001)

Cinema

[1]

Dan Graham

Cinema

1981

Two Sided Glass, Theater Seats, Film, Lights

Primal Rhythm

[video src=http://www.youtube.com/watch?v=cKYte94ss0w width:480]

Mariko Mori

Journey to the Seven
Light Bay/Primal Rhythm

2011 – present

HTML and web based
media, layered acrylic and pigments, software

La Funambule Virtuelle

[video src=http://www.youtube.com/watch?v=zkSYTDdl9S8]

La Funambule Virtuelle by Michel Bret and Marie-Helene Tramus

Hydrospatial City

Innen Stadt Außen, Blind Pavilion

Round Rainbow

[video src=http://www.youtube.com/watch?v=0aX8zw06kZ8]

Tower of the Nameless

Rebecca Horn

Tower of the Nameless

1994

Ladders, violins, motors, electronic components

Private Collection, Vienna, Austria

scale

scale is an interspecies art project: an audience-interactive installation that involves nocturnal electric fish from the Amazon River Basin. Twelve different species of these fish comprise a ‘choir’ whose sonified electrical fields provide the source tones for an immersive audiovisual environment. The fish are housed in individual tanks configured in a custom-built arc of aluminum […]

Reactable

The Reactable was conceived as an instrument to bring back the expressive possibilities of traditional instruments to musicians who are working with new technologies. It uses concepts of modular synthesis, sampling, advanced digital effects processing, and DJ-ing and combines them with modern human computer interaction, multitouch technology and a tangible interface. “We created Reactable Systems […]

Virtual Mirror – Rain

[video src=http://vimeo.com/10002754 align:right height:220]

Artist Tao Sambolec's expanded conception of art emphasizes tactility, embodied experience, affect and perception in space, often involving displacements that heighten our sensory awareness. In this respect, his work finds good company with pioneering contemporary artists from Duchamp to Eliasson. A case in point is Virtual Mirror – Rain, which received Honorable Mention at Prix Ars Electronica. The artist has somehow managed to achieve what might at first seem impossible: rain falling from the skies outside the gallery triggers an equivalent amount of rain "falling up" inside the gallery!

EOD 02

[video src=http://www.youtube.com/watch?v=WvLctD62G58]EOD 02 is an installation by Frederik De Wilde created in collaboration with LAb[au].

MATRIX II

Remembrancer

[video src=http://vimeo.com/6855035]

From the artist’s website:

The Brain Mirror

[video src=http://www.youtube.com/watch?v=B-INIHMkg7Q&]

From the artist’s website

Frontera v.2

[video src=http://www.youtube.com/watch?v=oI3X6d5E8c0&feature=player_embedded#]

Beacon

[video src=http://vimeo.com/2934812?hd=1]

Sheng High

[video src=http://www.youtube.com/watch?v=kjmeOnyQ5Pk]

Sheng High is the creation of kinetic sculptor, sound artist, musician and composer Trimpin (1951).

Ocean Without a Shore

[video src=http://www.youtube.com/watch?v=eTakwOpWqG4&feature=related]

Cybernetic Bacteria 2.0

[video src=http://www.youtube.com/watch?v=XQTdvvVH-kk]

Flying False Colors

[video src=http://www.youtube.com/watch?v=peMllqK2mAk]

From the artist’s website:

77 Million Paintings

[video src=http://www.youtube.com/watch?v=biKfLio3rWU height:210 align:left] In 2009, Brian Eno projected 77 Million Paintings onto the distinctive white sails of the the Sydney Opera House (1973), the architectural landmark designed by architect Jorn Utzon and designated by UNESCO as a world heritage site in 2007. Through the use of self-generating software, 300 images hand-drawn by renowned artist/composer Brian Eno were randomly cut-up, the pieces rearranged and realigned in an endless variety of ways, hence the title of the trancelike projection. Interwoven with the projected images was a soundtrack, creating “mesmerizing soundscape.” As Eno says, “by allowing ourselves to let go of the world that we have to be part of every day, and to surrender to another kind of world, we’re allowing imaginative processes to take place.”